Saturday, July 26, 2025

Slushpile Index

Not every idea gets a post: all the rest gets dumped in THE SLUSH PILE.

Last updated  8/31/26

** 

Slushpost 1 (4/10/18)

Slushpost 2 (9/25/18)

Slushpost 3 (4/27/19)

Slushpost 4 (7/6/19)

Slushpost 5 (3/12/20)

Slushpost 6: Prime Hellsite Salvage (9/13/20)

Slushpost 7: Archive Dredging (1/17/21)

Slushpost 8 (6.26.21)

Slushpost 8.5: Bookmark Special (7/20/21)

Slushpost 9 (11/10/21)

Slushpost 10 (1/19/22)

Slushpost 10.2: Bookmark Special 2 (5/13/22)

Slushpost 11 (7/30/22)

Slushpost 12 (1/11/23)

Slushpost 13 (4/13/23)

Slushpost 14: Scrapped Posts (6/10/23)

Slushpost 15 (6/10/24)

Slushpost 16 (2/7/25)

Slushpost 16.5: Conlang Scratchpad Spectacular (4/27/25) 

Wikipedia Link Pile 1 (7/31/25) 

Slushpost 17 (8/16/25) 

Wikipedia Link Pile 2 (12/11/25)

Slushpost 18 (1/18/26)

Wikipedia Link Pile 3 (5/9/26) 

Slushpost 19 (5/29/26)

Slushpost 20: Linkapalooza (8/25/26) 

 

Bookpost Index

Micro-reviews of everything I read that I can form an opinion on. 

Last updated  8/12/26  

**

Bookpost 1 (8/15/19)

  • River of Teeth (Sarah Gailey)
  • Quantum Thief, Fractal Prince, Causal Angel (Hannu Rajaneimi)
  • Unsouled (Will Wight)
  • Accelerando (Charles Stross)
  • The Red Plague (Jack London)
  • Of Sheep and Battle Chicken (Logical Premise)
  • Star Maker (Olaf Stapledon)
  • Worm (John McCrae)
  • Foreigner (C.J. Cherryh)
  • Dawn (Octavia Butler)
  • Time and the Gods (Lord Dunsany)
  • Luna: New Moon (Ian McDonald)
  • The King in Yellow (Robert Chambers)
  • Winter Tide (Ruthanna Emrys)

Bookpost 2 (9/10/19)

  • Sabriel & Lirael (Garth Nix)
  • The Collapsing Empire (John Scalzi)
  • The Vela Episode 1 (SL Huang)
  • The Black Tides of Heaven (Jy Yang)
  • Annihilation (Jeff Vandermeer)
  • The Silent Tower (Barbara Hambly)
  • City of Saints and Madmen (Jeff Vandermeer)
  • Seveneves (Neal Stephenson)
  • Burn (James Patrick Kelly) 
  • The Only Harmless Great Thing (Brooke Bolander)
  • The Emperor's Blades (Brian Stavely)
  • The Last Unicorn (Peter S. Beagle) 

Bookpost 3 (11/18/19)

  • Who Fears Death, Binti (Nnedi Okorafor)
  • Autonomous (Annalee Newitz)
  • The Traitor Baru Cormorant (Seth Dickenson)
  • Red Mars (Kim Stanley Robinson)
  • The Murders of Molly Southbourne (Tade Thompson)
  • Please Pass the Guilt (Rex Stout)
  • Abhorsen (Garth Nix)
  • The Interface Series (9Mother9Horse9Eyes9)
  • The Master and Margarita (Mikhail Bulgakov) 

Bookpost 4 (5/4/20)

  • Gentlemen of the Road (Michael Chabon)
  • The Yiddish Policeman's Union (Michael Chabon)
  • Wild Cards 1 (ed. GRRM)
  • All Systems Red (Martha Wells)
  • Down Among the Sticks and Bones (Seanan McGuire)
  • Do You Dream of Terra Two? (Temi Oh)
  • Proxima, Ultima (Stephen Baxter)
  • Plot it Yourself (Rex Stout)
  • City of Brass (S.A. Charkaborty)
  • From a Certain Point of View (various)
  • Sisters of the Vast Black (Lina Rather)
  • The Stars are Legion (Kameron Hurley)
  • UNSONG (Scott Alexander)

Bookpost 5 (8/29/20)

  • Silver in the Wood (Emily Tesh)
  • The Calculating Stars (Mary Robinette Kowal)
  • Strangest of All (ed. Julie Novakova)
  • Gulliver of Mars (Edwin Lester Arnold)
  • Herland (Charlotte Perkins Gilman)
  • Jingo (Terry Pratchett)
  • Galactic Derelict (Andre Alice Norton)
  • Heretics of Dune (Frank Herbert)
  • Celebrated Cases of Judge Dee, The Chinese Bell Murders (Robert Van Gulik) 

Bookpost 6 (12/18/20)

  • Sorcerer of the Wilddeeps (Kai Ashante Wilson)
  • The Secret Tomb (Maurice Leblanc)
  • Night Watch (Terry Pratchett)
  • Dangers Visions (ed. Harlan Ellison)
  • Ventus (Karl Schroeder) 

Reread Post: Lord of the Rings (5/21/25) 

Bookpost 7 (12/18/21)

  • Beowulf (trans. Thomas Meyer)
  • Cordelia's Honor (Lois McMaster Bujold)
  • Pandora's Star (Peter Hamilton)
  • Invader, Inheritor (C.J. Cherryh)
  • The Amazing Adventures of Cavalier and Clay (Michael Chabon)
  • Parable of the Sower, Parable of the Talents (Octavia Butler)
  • Dinosaur Summer (Greg Bear)
  • The Fifth Head of Cerberus (Gene Wolfe) 

Bookpost 8 (4/22/22)

  • The Sharing Knife, Parts 1 & 2 (Lois McMaster Bujold) 
  • Tales of a Dark Continent (Morthoron)
  • Gideon the Ninth (Tamsyn Muir)
  • A History of What Comes Next (Sylvain Neuvel) 
  • Circe (Madeline Miller)
  • When the Tiger Came Down the Mountain (Nghi Vo)
  • Hammers on Bone (Cassandra Khaw) 

Reread Post: Wizard of Earthsea 

Bookpost 9 (8/22/22)

  • The Phoenix Empress (K. Arsenault Rivera) 
  • Various Elric Stories (Michael Moorcock)
  • Ring of Swords (Eleanor Arneson)
  • Grace of Kings (Ken Liu)
  • Lud-in-the-Mist (Hope Mirrlees)
  • The Forever War (Joe Haldeman)
  • Making Money (Terry Pratchett)
  • Machine (Elizabeth Bear)
  • The First Sister (Linden Lewis)

Reread Post: Book of the New Sun, part 1

Reread Post: Book of the New Sun, part 2 

Bookpost 10 (1/6/23)

  • Urth of the New Sun (Gene Wolfe)
  • Hegira (Greg Bear)
  • Empress of Salt and Fortune (Nghi Vo)
  • Forge of God (Greg Bear)
  • A Memory Called Empire (Arkady Martine)
  • Children of Time (Adrian Tchaikovsky)
  • The Cherokee Syllabary (Ellen Cushman) 
  • Elder Race (Adrian Tchaikovsky) 

Bookpost Special: Inanna, Lady of Largest Heart (2/11/23)

Bookpost 11 (4/13/23)

  • Children of Ruin (Adrian Tchaikovsky)
  • Something About Eve (James Branch Cabell)
  • Monster, vol 1 (Naoki Urasawa)
  • Uzumaki (Junji Ito)
  • A Billion Wicked Thoughts (Ogi Odas and Sai Gaddam)
  • Voyage to Arcturus (David Lindsay)
  • Etidorhpa (John Uri Lloyd) 

Bookpost 12 (6/8/23)

  • The Hall of the Mountain King (Judith Tarr)
  • Children of Memory (Adrian Tchaikovsky)
  • Always Coming Home (Ursula K. LeGuin)
  • The Lady Who Picked Red Flowers Beneath the Queen's Window (Rachel Swirsky)
  • Move Underground (Nick Mamatas)
  • Because Internet (Gretchen McCulloch) 

Bookpost 13 (7/25/23)

  • The Sparrow (Doria Russell)
  • Border Keeper (Kerstin Hall)
  • A Strange Manuscript Found Inside a Copper Cylinder (James de Mille)
  • Medea: Harlan's World (Harlan Ellison et al)

Bookpost 14 (9/17/23)

  • The Wizard Knight (Gene Wolfe)
  • Delta-V (Daniel Suarez)
  • Sacred and Terrible Air (Robert Kurvitz)
  • Goddess of Atvatabar (William Richard Bradshaw)
  • Shards of Earth (Adrian Tchaikovsky)
  • Scud: The Disposable Assassin (Rob Schrab) 

Bookpost 15 (1/23/24)

  • Lathe of Heaven (Ursula K. LeGuin)
  • Ninefox Gambit (Yoon Ha Lee)
  • Some Desperate Glory (Emily Tesh)
  • Knights of Sidonia, vol 1-6 (Tsutomu Nihei)
  • The Songs of Distant Earth (Arthur C. Clarke)
  • Moon of Crusted Snow ( Waubesheg Rice)
  • Carrie (Stephen King) 

Bookpost 16 (5/11/24)

  • And What Can We Offer You Tonight (Premee Mohammed)
  • These Prisoning Hills (Christopher Rowe)
  • All the Horses of Iceland (Sarah Tolmie)
  • A Stranger in Olondria (Sofia Samatar)
  • Exordia (Seth Dickenson)
  • There is No Antimemetics Division (qntm)
  • The Prince of Milk (Exurb1a) 

Bookpost 17 (8/19/24)

  • Story of Your Life and Others (Ted Chiang)
  • Flatland (Edwin A. Abbot)
  • The Madman (Kahlil Gibran)
  • The Northern Caves (nostalgabraist)
  • The Book of Japanese Folklore (Thersa Matsuura)
  • The Complete Poems of Enheduana, the World's First Author (trans. Sophus Helle)
  • Native Tongue (Suzette Haden Elgin) 
  • House of Rust (Khadija Abdalla Bajaber)
  • Burning Roses (S.L. Huang) 
  • Gyo (Junji Ito)
  • Golden Kamuy, vols 1~14 (Satoru Noda) 

Bookpost 18 (1/20/25)

  • Books of the South (Glen Cook)
  • Kabbalah: A Very Short Introduction (Joseph Dan)
  • Echoes of Mist-Land (Aubertine Woodward Moore)
  • Little Fuzzy (H. Beam Piper)
  • House of Suns (Alastair Reynolds)
  • Book of Imaginary Beings (Jorge Luis Borges)
  • The Marigold (Andrew F. Sullivan)
  •  Gods of the North (Robert E. Howard)
  • The Door to Saturn (Clark Ashton Smith)
  • The Unspoken Name (A.K. Larkwood) 

Bookpost Special: House of the Rain King (3/15/25) 

Bookpost 19 (8/9/25)

  • Tales from Failed Anatomies (Dennis Detwiler)
  • Strange Authorities (John Scott Tynes) 
  • Last and First Men (Olaf Stapledon) 
  • The Cruel Empire of Tsan-Chan (Christian Read)
  • Avatars, Inc (Various)
  • Oxford Introduction to Proto-Indo-European (Mallory & Adams)
  • Highly Complex Syllable Structure (Shelece Easterday)
  • What Lies Beneath (Chris Scaffidi)
  • Architect of Worlds (Jon Zeigler)
  • Red Nails (R.E. Howard)
  • Monstrum (Arnold Kemp)
  • The Epiphany of Gliese 581 (Fernando Borretti)
  • Etidorhpa (again) (John Uri Lloyd) 

Bookpost 20 (12/28/25)

  • A Comprehensive Introduction to Nostratic Comparative Linguistics With Special Reference to Indo-European 5th Edition (Allan Bomhard)
  • Black Amazon of Mars (Leigh Brackett) 
  • The Lost Continent (C.J. Cutliffe Hyne) 
  • Omniligual (H. Beam Piper) 
  • Qoholeth (Madison Scott-Clary) 
  • Three Imposters (Arthur Machen)
  • Oomphel in the Sky (H. Beam Piper)
  • The Sundering Flood (William Morris)
  • Green Antarctica (D'Valdron) 

Bookpost 21 (3/17/26)

  • The Author of the Acacia Leaves (Ursula K LeGuin)
  • Enchantress of Venus (Leigh Brackett)
  • Queen of the Martian Catacombs (Leigh Brackett)
  • The Book of the Law (Aleister Crowley)
  • Mirrikh; or, a Woman from Mars (Francis Worcester Doughty) 
  • Armageddon 2419 A.D. (Philip Francis Nowlan)
  • The Blind Spot (Austin Hall and Homer Eon Flint) 

Bookpost 22 (8/12/26) 

  • Diaspora (Greg Egan)
  • Bowling with Corpses and Other Strange Tales from Lands Unknown (Mike Mignola)
  • Grunts (Mary Gentle)
  • Journey to the West (trans. Julia Lovell)
  • Sight Tremendous and Abhorred (Ognyen Plamen)
  • Plague of Pythons (Frederick Pohl)
  • The Book of Mormon (Joseph Smith)
  • Legacy (James Schmitz) 

Monday, July 21, 2025

A Quest for Leslie Stone: Update 1

It's been about three months since I started on this odd little mission, so I figured it's a good time to pop in with an update.

My initial dive into the copyright renewal archives turned up just about as well as I had hoped: of the 20 short stories Leslie had published in the pulps, only one of them had ever been renewed -1937's "The Great Ones", which was also the only story published in Astounding Stories (later the famous Analog Science Fiction, which was generally a lot better at renewing copyright than Gernsbeck was.)

After figuring that out and plugging everything into a spreadsheet, I went and downloaded pdf scans of all the relevant magazine issues. UPenn's renewal archives were an invaluable tool here, as they not only listed which issues had been renewed and which ones hadn't, but included direct links to all the public domain periodicals that had been uploaded onto Internet Archive. Since Leslie was writing primarily in Weird Tales and the other Gernsbeck pulps, basically everything was up there already and all I had to do was download them. The one exception was "The Space Terror", which was published in a very small fanzine called Spaceways that I could only find thanks to the unsung heroes of preservation over at fanac.org.

After that, I ran everything through some OCR software and copied everything over into a big document. The rest is the heavy lifting of making sure everything is formatted correctly.

As of writing this, 10/19 stories have gotten their first pass. I'm focusing mostly on fixing spelling errors and re-adjusting the spacing and paragraph breaks at this stage; second pass is going to be the in-depth line-by-line to make sure everything is exact.

It's remarkably fun to just put a stream on the other monitor and vibe. I would say I wish I could do this for money, but work tends to suck the fun out of things and I like that this is actually fun. Educational, too; science fiction (and fiction, and writing in general) has changed a lot in 95 years.

Some observations: 

  • Perhaps the biggest thing is the cumulative effect of all the small changes; shifts in spelling, grammar, word usage. Highlights include: "imbedded" for "embedded", "h'm" for "hm" or "hmm",  ellipses of four dots like this. . . . and using interclausal dashes like-this instead of like - this.
  • There's a story where Character A is recounting something to Character B, normal frame narrative stuff, but most of that recounting is dialogue so nearly the entire story is in nested quotes.
  • Rays! We love a ray. X-rays, Z-rays, T-rays, any kind of ray you can think of. No such thing as a plot that can't be jumpstarted with the right kind of ray.
  • In some of the earlier stories, spaceships are usually called "space-fliers" or just "fliers", and in the very early ones they aren't even rocket shaped - they're spherical in a story from 1930. We're right in that sweet spot between "you can fly between planets with an airplane" and "everything is either a rocket or a saucer".
  • Odd scare quotes show up a-plenty, ex. going "through" a portal. I assume this is because the concept was not as blase at the time as it is to readers now, but it has the side effect of making the dialogue sound stilted in a way I can only describe as a robot imitating lower-tier children's educational television with weirdly placed emphasis on key words. 
  • Lots of italics for emphasis, too. 
  • There are more footnotes than I expected, though I don't know if these were Leslie's or the editor's. Most of them are definitions of alien terminology, or clarifications about science and whatnot.
  • Since I'm working off of magazine scans, all the ads are included. Weight loss regimens, get-rich quick classes in chemistry and radio repair, a guy promising the mystic secrets of the universe if you'll just buy his book. Some things never change.
  • It's no surprise that there's a fair bit of colonialist fantasy going on in some of these stories, but what's truly wild, and perhaps most educational, is just how dedicated that particular genre trapping is to denying the reality of even the story it's found in. Prime example: the local aliens are continually described as primitive - only rudimentary language, fire but no metalworking - but then much of their part of the narrative is taken up by their elaborate social and religious hierarchy and their copious supply of worked metal goods. And this is in a story where the thesis is "the human prospectors who came to this planet are idiots who got themselves killed because they thought they could take advantage of the locals!" Which, I suppose, might indicate that it is an intentional subversion and this entire bullet point is moot in this particular circumstance. 
  • I have finally learned what the HOME key does. 

During this whole process, it's given me a lot more appreciation for the pulps, beyond just a "this is where a lot of things started" level: they served the niche that fanzines played in the postwar decades and that webfiction and fanfic serve today. A place for amateur writers to get out there and just write shit and maybe make some money on the side. Does it mean that a lot of it's bad? Yeah, of course it does. But that's the point of amateur fiction; it's an environment where you can safely write stuff at low investment and both improve the craft in real time and build an audience (I learned more about writing from the SCP wiki and running this blog than I ever did in any of the classes I took in college.)

Anyway, the next update shall happen when it happens. Probably when I get all of Pass 1 done.



Wednesday, July 2, 2025

Postively Unhinged Elden Ring Fanfic Hour

Saiziku

 

Previous installments: (Part 1, part 2, part 3, part 4, part 5). 

**

You are Marika the Eternal, and your son is dead. 

Godwyn the golden, beloved of all your demigods, is dead. Seven more of the Golden Lineage died with him. Your dynasty is ended. The assassin stood in silent defiance as you ordered her execution and chained her spirit to an evergaol. The wound remains. 

The time you bought by plucking Death from the Rune is fully wasted; the Fingers and their guiding Will still pull at your strings. The gilded cage remains intact. The slaughter of your family is of no concern to them. Godwyn is dead and the Fingers sign that this is only a minor disruption. They only noticed because they lost their primary Empyrean, and even then it barely registers as a setback; if the twins are non-viable hosts, you are Marika mother of demigods - you can always go fuck yourself and make more. The Will demands an agent in the Lands Between.

Someone needs to bear the Ring. 

Someone needs to maintain Order. 

Their consent is optional.

Ranni chafed at the yoke that was prepared for her. You never blamed her for hating you: You were offering her up to the Fingers to secure your own emancipation, and if she inherited anything from you it was a refusal to kneel to anyone or anything. 

Still, you tried to make the succession a painless affair, or as painless as it could be. Ranni would inherit the Ring, choose a Lord Consort as she saw fit according to love or convenience; then she would only need to lie back and think of Liurnia for a few uncomfortable nights, produce a demigod or two to appease the Will, and then she could retire to her rise to do as she wished for the rest of her life-without-death. The mundane realities of rule would be handed over to Godwyn, anyway. The people already called him the Young Lord, favoring his warmth and life over grim and reclusive Radagon.

Godwyn. A good man in a nest of vipers. A man for whom cruelty was alien, a man who could tease the good out from a blackened soul and broker peace between the most bitter enemies. Noble, idiot, innocent Godwyn. The best thing you ever made. Perhaps the only good thing, in the end. Godwyn, cut down by Destined Death as he rallied his sons and the knights of the guard against the black knives of the assassins.

Did he recognize the assailants? Did he know the danger he was in? No, he couldn’t have. The Eternal Cities were vanished into deep history, their people driven underground. Destined Death rested safely in Maliketh’s hands. He would have thought, perhaps to the very end, that he was facing ordinary steel and common sorcery from a band of Liurnian revanchists.

And now he’s dead. He and his seven sons and daughters. His body has poisoned the Erdtree and Deathroot spreads across the Lands Between like cancer.

Your surviving children - those fortunate enough to be away from the capital that night - play at cooperation but you know they are all a breath away from drawing swords and squabbling over your empire like tantruming infants. None of them are fit to inherit the Order that you built.

It doesn’t matter.

You pace the palace halls day and night, your mind gnawing at itself like a wolf with its foot caught in a trap. They’ve cleaned the blood from the floors. Your son’s blood, soaked up by a servant with a mop. The corridors reek of perfumers’ disinfectant. Memories and the dreams of memories seethe and foam, losing their time-blunted edges and boiling together until your thoughts cannot be discerned from your delusions and Now can no longer be separated from Then.

The snake lifts its head from where it naps in the roots and tells you the last secret of godhood.

You plant a golden tree in the field, near the old firepit where you would dance and sing and celebrate the spirits. It is the kindness of gold without a trace of Order - perhaps the last kindness you will ever offer to the world. You leave, and you will never return. 

You hold a pale, flabby infant in your arms, swaddled in the soft and supple skin of your enemies.

A messenger arrives in the ash-choked city with news from the front: the Storm Lord is dead, and Castle Morne has fallen. The Weeping Peninsula is yours, the last resistance to your rule over the Lands Between is gone, and Lord Godfrey stands victorious at the head of a battle-hardened host with no more lands left to conquer and more loyalty to their Lord than to his Order. Something must be done.

You climb to the summit of the hill, to the spirit tree where the Grandmother’s mummified body rests. Drawing the knife from your belt, you cut off a braid and lay it there in the roots.

The midwife cowers as you command her to stop her whimpering and toss the wretched things into the sewers.

The stone-scaled dragon nods in approval at last, and strikes the clay tablet with lightning to leave his mark next to Godwyn’s seal. The treaty is made.

The flame-haired giant kneels, holds up his trembling hands in surrender. The war is over; the fields of dead are left for the crows. The enlisted men are already calling you Godslayer, crediting you with the fall of the giants’ Fell God. 

Radagon is different now; his years of autonomy in Liurnia have given him experiences that you don’t share. His new formulations of the Golden Order spread like giantsflame; The court teems with Fundamentalists. 

The village is silent. All the villages are silent now. There is no one left.

The blind drunkard Shabriri, caked in filth, is dragged out of his cell and thrown before the baying crowds. You wave your hand and the carnifex gouges out his eyes. All the while he screams “Lies, all lies, do you not see it? Order and chaos are one! She is not a god! She is not a god!”

Messmer and his penal legions march towards Belurat. You reach into the Ring and transform a thousand-thousand segments of ciphered light. The world is remade. The past is re-written. The path you took to your throne is wiped out of memory and out of time - you are eternal as the Erdtree is eternal, and always have been.

The highland barbarian bounces on the balls of his feet, bored with the Tower priest’s endless sermon. You feel neither love nor lust for Horah, but this is a marriage of alliance, not pleasure. Mutual respect for prowess on the field will suffice.

Melina stares back at you with her gloaming and Graceless eye. “Order alone cannot continue, Mother. The world strains under the weight, like a scale in need of balancing Isn’t that my purpose?” The ruinous flame takes her then, and she screams.

Horned riders crest the hill, their horses like thunder. Your mother begs you to run into the woods, to keep running and not look back.

The sun’s golden blood drips from the boughs of the grasping tree into the great bowl. You dole out your blessings of sap and grace to your loyal converts. 

You pour over stone tablets by lamplight, deciphering the cuneiform of Rauh syllable-by-syllable.

The misbegotten blacksmith bows his head, and says “Yes, my lady. It’ll be done.”

The knife glimmers in the evening light before you drive it into your breast and carve out your dusk-eyed other self - There is no place for Death in your new Order.

The old woman - the one you call Grandmother because everyone calls her Grandmother - offers you a mushroom like a dead man’s finger, and as the cosmos unfolds in your vision she inducts you into the sisterhood of spirit-tuners.

In suffocating darkness, you feebly beat your fists against the jar’s inner wall as your organs melt and your bones dissolve into the raw mass of your new flesh. A dozen mouths gasp for air that isn’t there. A hornless slave stamps the wax seal with a serial number and an inquisitor’s mark.

You wrest your coiled sword from the old queen’s corpse. The inert Ring in her heart is small and dull, worthless without its divine vessel. The serpent whispers in your head "devour it...together..."

The burial shroud rustles softly as you withdraw a few fibers of gold. The red Gates of Divinity drip gore down their flanks. You are the last living being in Enir-Ilim.

The last of Godfrey’s ships passes into the encircling mist. A shrouded figure stands like a tower on the deck. He does not look back.

You walk through the ruined huts, the fields of flowers, the empty places where there used to be people. People you knew. People you loved. You remember the slaughter, again and again and again and again. Men in centipede masks drag you from your hut and chop your body apart with heavy blades. Hounds tear at your heels as you run into the night. An arrow buries itself in your back; a spear pierces your side; an axe cleaves open your skull. You remember your mother and your mothers and your mother; your sister and your sisters and your sister; your daughter and your daughters and your daughter. You remember the gaping mouth of the jar.

You lie with the serpent, and two are made one flesh.

You go to the base of the Erdtree. The place where Order was first imposed upon the crucible of primordial life. Maliketh waits for you there, his eyes betraying the agony of a dog torn between two masters. He begs you to turn around, to go back to the palace and grieve in the company of the living.

You brush off his desperate words and cross the plaza. The black blade forms in his hand.

He lands a single blow on you before he flees in horror and shame. But a single blow is all that was needed; a bloody red shard of Destined Death tears at your gut, and as it grows it will turn your body to lifeless stone. 

Let it come. You have danced beyond death for so long that you no longer care if you live. You stagger onward in your waking dream, your hand clasped to your side. 

You are Marika, and you are dying, and your Order is dying, and the Lands are dying, and you are still trapped here. Your body is not your own. You have backed yourself into a golden throne atop a mountain of corpses, and your son is dead. 

May chaos take the world. May night reign. May the Order be broken forever. You no longer care; all this was for nothing.

Your son is dead.

You stand before the Ring and raise your hammer 

**

A lot of the lore community likes portraying Marika as an unbeatable chessmaster who is always a billion steps ahead of everyone and planned the entire thing beginning to end - I think that's boring as sin. Lore is fun but it can strip all the humanity out of a story and leave it a lesser thing. (Noah Caldwell-Gervais says something like "lore doesn't stand next to you in the grocery store" in his DS video, I don't have the exact quote on hand).

Though if I am being honest I wrote this because I'm tired of Tarnished Archaeologist's current string of "it was all an incest singularity" theorizing. If Ranni had killed Godwyn specifically for that reason, she would, I don't know, fucking mention it? Even for a game as obtuse and vaguer as ER I would find total silence in those circumstances an impossible stretch - and it also just drains all the tragedy and pathos out of Night of Black Knives and turns it into "Ranni was totally justified, the end." 

So I made it basically accidental. The assassins had their own agenda - no better time to kill Marika or the Fingers than while storming the palace - and Godwyn got blindsided because he's the resident himbo and went to play the hero because of course he did.

Several other theories went into this.

  • The Golden Lineage are Godwyn’s offspring; Marika only had the children we see in game (thanks to kyana for this theory, it solves many problems).
  • The Woman with the three wolves (as we see in Maliketh’s boss chamber) is Placidusax’s god; or more properly Placidusax was her Lord, because the god chooses.
  • The Serpent, as serpents do, offered Marika a devil's bargain. 
  • Marika fucked the snake (prior to her ascension) and birthed the first generation of what would eventually become the Godskins. They were her personal kill squad back when she was hunting the Missing God, roughly analogous to Godfrey's Crucible Knights.
  • Speaking of Godfrey, Marika married him prior to her ascension as an alliance between the Hornsent and the highlanders against the Giants. He and his tarnished were banished because with the Tree burnt and Radagon still in Liurnia there was basically nothing stopping him from marching on Leyndell and deposing Marika if he wanted. If he actually wanted to is another thing entirely.
  • Shabriri understood that Marika had stolen godhood in some way (I do agree with TA on this point, and basically nothing else in that video) - though I don’t think he knew specifics (I think it was essentially a three-part plan: kill the Missing God to get the Ring, usurp the ritual at the Gate of Divinity to attain godhood, and then eat the sun to gain control over the Will / limit its influence in the Lands Between.)
  • The Lands of Shadow are so disjointed from the base game and their own contents because it exists outside of the world of Order. It’s basically a dreamscape with no dreamer - everything in there existed in the normal Lands Between at some point, but it’s all been mashed together into illegibility.
  • The Hornsent filled the power vacuum left after the collapse of the Eternal Empire, and they justified their pogroms against the shamans by the victims being numen (and thus, their old oppressors)
  • The Grandmother Shaman was either a descendant of one of the four Eternal Queens (the giants in the thrones), or the queen herself. The other empty throne is a symbolic / traditional one, set aside in case the Missing God (herself also a numen) were to return.
  • Marika is herself an amalgamation of dozens of shamans.
  • The Gloam-Eyed Queen is like 4 different people, or one god in 4 persons.
    1. The Nameless God, a numen woman who became head of the empire of Farum Azula.
    2. Marika the hornsent jar-saint (after killing and eating the Nameless God)
    3. Fragments of the Nameless God that Marika cut out of herself a la Miquella when she ascended to godhood. This St. Trina-like other self later tries to topple Marika and is killed by by Maliketh.
    4. Melina, a clonal daughter who inherited some of the incorporated GEQ-ness. 
  • Melina burnt the Erdtree some time after Marika used it to eat the sun in an attempt to re-establish the balance of the world. I have no evidence to say that she was spurred to do this by a meeting with Shabriri, but it’s narratively satisfying to me. 

Anyway, next post will hopefully be timeline and then I can close the book on this for a nice long while. 

Saturday, June 21, 2025

August Derleth was an Accidental Genius

Think about it. The neat, overly-tidy cosmology that doesn't quite make sense. The leaps in logic required to fit elements into an organizational schema that can’t support them. The reduction of complex natural systems into humanocentric moral binaries. The constriction of a vast and unknown cosmos into a well-delineated puzzle box where every component is named, categorized, and understood. Inventing components whole cloth to make the components work within a pre-existing framework.

This is absolutely how a lot of people would respond to the Mythos in-universe. You can’t tell me that Aristotle wouldn’t just declare that Hastur was obviously affiliated with the element of air - of course he would! That was his entire deal! And people would be citing him as fact thousands of years later despite him being obviously, demonstrably wrong!

HPL was writing the initial reactionary knee-jerk - people fearfully retreating from what they don’t understand and throwing up whatever ad hoc defensive rationalizations they can: “This thing is bad and gross and I don’t like it.” Then Derleth comes in and takes that original revulsion and directionless lashing out and forces it into a well-behaved and formalized shape that aligns with more formalized pre-existing notions. It's no more truthful than the knee jerk, but this is what human beings do when confronted with the unknown: We freak out, and then we start labeling and categorizing and rationalizing and trying to make sense of it all. Horror is a living thing.

To my knowledge (this is the part where I admit that my knowledge of Derleth comes second-hand - of the main expanded Mythos authors his still largely under copyright and less accessible outside of game materials) there's no sign of a rugpull. Someone would have pointed out if there was a moment in his stories where the trappings of elemental affinities and Great Old One family trees are torn away and it's revealed that these are inadequate human constructions pasted sloppily over an unknown and unknowable truth. Standard issue cosmic horror plot. But that doesn't happen, so unless he is a significantly more subtle author than he's given credit for he stumbled right into some prime as-above-so-below metafiction where the act of writing those stories and making those changes in reality mirrors the developments that would occur in-universe. 

All this in mind, the Derleth elements of the Mythos suddenly become extremely useful because you can use them to represent what people believe, rather than what's actually true. Lovercraftiana fucks up this step all the time, treating the Necromomicon or whatever the grimoire du jour is as the accurate and infallible truth when the much more interesting option is that it is a human-made text with human-made limitations. If you're writing about the unknown, you need to lean into that information gap between the things you know vs the things you believe vs things you don't know and can't know. (I've spoken about this before.) 

Bringing it back home - let’s take his goofy good vs evil Aristotelian element great old ones and make it an in-universe thing. Just going to do a sketch for now.

The Great Circle

A Greek philosophical school of the late Classical period, lasting for several centuries further before it was ousted / assimilated by Christianity. It is the first systematic attempt to incorporate the Mythos into existing traditions in the Mediterranean and served as the basis for Mythos cults throughout Europe and the Islamic world up through the early modern period; its influence is still felt within modern Scientific, Theosophic, and Spiritist Mythosism, though these movements tend to syncretize a great deal more material from southern and eastern Asian schools of thought. 

(As an aside; modern scholarly consensus is that the Byzantine suppression of Abd al-Hazra's Kitab al-Layl was fueled in large part because its sudden popularity was a threat to the entrenched and politically influential Great Circle.)

A brief overview of Great Circle thought:

  • The cosmos was dreamed into being by Logos (Yog-Sothoth), who divided Chaos (Azathoth) into the four interacting elements of air, water, earth, and fire. Two groups of gods are created to adjudicate and sustain the cosmic order - one to maintain the heavens (the Elder Gods), one to maintain the material world (the Great Old Ones)
  • War breaks out among the gods (Instigated by Nyarlathotep) as the Great Old Ones (and a small number of traitor Elder Gods) attempt to assume control of the cosmos and reshape it according to their own designs, contrary to the Logos. 
  • This war ends in pyrrhic victory for the Logos-aligned Elder Gods; the Great Old Ones are imprisoned on Earth, the traitor Elders are banished to the Outer Darkness (and now called the Outer Gods), but the surviving Elder Gods are diminished in strength and retreat to the heavens (embodying themselves as the stars and planets) to recuperate.
  • The Olympian gods and any deities claimed under the interpretatio graeca are inhabitants of human dreams and servants of the Elder Gods. They serve as the primary intermediaries between humanity and the divine powers.
  • The Great Old Ones, while defeated and imprisoned, are not destroyed; with the Elder Gods returned to the heavens the Great Olds Ones still have significant influence on the Earth and still seek to enslave and destroy humanity; their many servants are forever attempting to free them.
  • The incarnation of / son of the Logos appeared on Earth to save humanity from the Great Old Ones, but was killed by their servants. His return will instigate the conclusion of the war in the heavens, where the Great Old Ones will be destroyed and the rule of the Logos and the Elder Gods over earth will be renewed.

I think I might have undermined my own point here, because this came out way cooler than I had planned. Still, point remains - all you have to do is pick a key point or two (I usually aim for "okay, what's the dumbest shit in this story) and go "how is this belief false, and what terrible consequences come about because people believe it?"

For this setup, my first instinct would be to undermine the idea that the Elder Gods / Outer Gods / Great Old Ones are separate factions or types of entities to begin with, and definitely that the Elder Gods are in any way less dangerous to humanity. Or play up the idea that Earth is just a environmental casualty of their war - a bird's nest along the Somme. Two factions of incalcuable power, duking it out for reasons impossible to understand, for stakes you don't know, fucking up your planet just because it was vaguely in the way. Or play up the cargo cult aspect: Rilyeh is just a forward base in an interstellar war, no different from Allied forces building airbases in Melanesia and then packing up and moving on when its no longer needed.

Yeah I think I cooked way harder than I needed to on this one.

Sunday, June 15, 2025

The False Werewolf

Inspired by a recent episode of the Maniculum. 

**

To the greater world the faoladh (written phonetically as Fé La)  is a variety of lycanthrope from the Northwestern Isles. Several popular bestiaries describe it as an intelligent and beneficent creature, occasionally acting as a sort of guardian to travelers or livestock and contents itself to live on rabbits, fish, and wild deer when in their lupine form. Travel narratives containing faoladh encounters sell quite well, and have fueled a modest but steady stream of mainlander monster-watchers, scholars, and unclassified tourists in the isles, hoping to catch a glimpse of this rare creature (or for the greater dreamers, a glimpse of the hidden village somewhere in the moors where they can learn mystical combat arts from the peaceful wolf-folk.)

And every year a few more tourists never make it home, because everything in those bestiaries is horseshit. The faoladh isn't even a lycanthrope; it's a mimic. 

See, there's something called a clade-shift event; a population of mimics (from a few individuals up to an entire species) will undergo a radical adaptation to take advantage of an open ecolological niche, and this transformation is performed at such totality that the mimicry abilities are entirely lost and the novel form becomes permanent. CS Events are the second most common source of new and emerging species in the world next to wizard's experiments (see And Suddenly, They're Here (Habimbra, 678) and The Metamorphics (Ilwan-Shaz, 706) for a detailed exploration of the phenomenon), with an estimated 15-30% of the world's non-manmade monster species deriving through this process.

Faoladh retain both the ambush-hunting strategy and mild cognitohazardous properties of their earlier forms: unless they are exercising a significant amount of attention and focus, nearby humans will interpret the faoladh as harmless, allowing the beast to to make an easy kill. Faoladh are solitary hunters, and their area-of-effect is not strong enough to mask their a killing from observers (even those within the field); as such, their targets are primarily lone travelers or individuals separated from their group.

Most monstrumists believe faoladh are the result an extremely recent CS Event - all descriptions of the creature are dated within the last two decades, and the popular bestiaries provide either unsourced (and nearly always fabricated) folkloric traditions or distortions of extant Northwestern lycanthrope stories.

This would, under ideal circumstances, be the end of it. Corrections would be made in the next edition and life would go on. But the faoladh has proven to be remarkably popular among amateur monstrumists on the mainland, and accounts of faoladh encounters have proven to be a lucrative micro-market. The authors are by and large fantasists unfamiliar with the history and folklore of the Isles, not only continuing to proclaim that there are indeed benevolent wolf-men in the Isles, but aggressively shouting down attempts at correction by scholars and naturalists. Indeed, the lead editor of the 4th edition of The Codex Monstrissimus received so many angry letters that he had them bound in leather and put on his bookshelf.

The spread of misinformation is now so pronounced that the faoladh population has begun to demonstrate behaviors wholly invented by the writers of those false accounts, leading to a drastic increase in tourist death. Attempts to stem the further promulgation of misinformation through a public awareness campaign have been unsuccessful thus far, and it is expected that the county councils of Flat Rock, Dolmen Hill, White Creek, and Queen's Tomb will enact a travel ban and dedicated hunting season this upcoming winter to try and bring both the narrative and the foaladh population under control.

The faoladh's legacy is ultimately a case study in how misinformation endures correction. The first major publication to describe a monster, no matter how errant, will shape public perception long after it is released, even if it debunked by later research.

**

Faoladh (Fé La) 

Appearance:  Wolf-headed humanoid; grey-white or russet-cream colored fur
Defense: Rubbery hide
Attacks: Jaws that bite; claws that catch; lacerating tongue
Motivation: Hunger, territoriality 
Special Properties: Cognitohazardous area-of-effect (pacification, cognition-dulling); may shift between bipedal and quadrupedal forms; limited ability to imitate human face structure, will compensate by obscuring with facial hair.

1d10 False narratives players might have heard: This faoladh...

  1. ... saves an infant from an adder that crawled into its crib in the middle of the night.
  2. ... directs lost travelers to a hidden spring.
  3. ... solves a mysterious murder by discerning the presence of a possessive demon. 
  4. ... adopts an abandoned child and teaches them magic and/or martial arts.
  5. ... delivers fish and seabirds to the house of a sick farmer.
  6. ... disguises itself as a beggar to find a missing clan heir. 
  7. ... falls in love with a woman wearing a daffodil-yellow dress.
  8. ... rescues a noblewoman from an unhappy marriage.
  9. ... guards a cache of pirates' treasure until a worthy inheritor comes forth.
  10. ... retrieves a lost prize sheep.



Tuesday, June 3, 2025

Does Lovecraft exist in this Mythos Setting?

Someone asked this on the Delta Green subreddit, and it was fun enough to answer that I've spun it out into a full post.

How Lovecraft is this Mythos? (1d12)

1) HPL existed, but wrote in an entirely different genre 

  1. Romantic comedy (boilerplate)
  2. Historical adventure (orientalist)
  3. Traditional gothic horror (convoluted)
  4. Extremely weird transcendentalist poetry (????)

2) HPL existed, and was one of the Miskatonic University scholars who butchered the English translation of the Kitab al-Layl back in the '30s.

3) HPL existed and wrote the stories we know; the unnatural is just something else entirely.

4) It's irrelevant if HPL existed because weird fiction never got off the ground: Hugo Gernsbeck got hit by a melon truck in before he could start publishing pulp magazines.

5) HPL didn't exist; the "unknowable alien gods" niche was filled by some guy named Clarence Quincy Rogers.

6) HPL didn't exist, so the PCs finding books written by him should be extremely concerning.

7) HPL existed and wrote weird fiction, but it was mostly planetary romance and only occasionally brushed up against unknowable alien gods.

8) HPL didn’t technically exist; he was a character invented by a group of science fiction authors in the 60s as part of a collaborative writing project where new HPL stories were regularly "discovered" and published. Those guys definitely used enough LSD to give them better than coinflip odds of actually (if inaccurately) describing something real.

9) HPL existed, wrote the stories we know, but lived to the age of 86 and became a real aggro hardass about people using or even referencing his material. Especially if they did it “wrong”.

10) HPL existed, but mysteriously disappeared prior to publishing any of his Mythos works. Case was never solved and they never found a body 

11) HPL existed, but only the Dream Cycle stories have any truth to them.

12) HPL doesn't exist, and his body of work was fabricated by the Program as a disinformation campaign.