Your local Book Club Witch is back in town, let's see what she's got on offer.
1. The Lion's Banner (1948)
After his death, a critic called Edward "Ed" Marsh "America's forgotten Tolkien" - a title Marsh would have rejected, but not an entirely untrue one. The Lion's Banner and its sequel (Last Campaign of the Lion's Banner) are accounts of a mercenary company inspired by the author's experience as an infantryman during the the Italian theater of World War II - some characters, scenarios, and dialogues are, according to Marsh, 1:1 translations of reality. The world of the novel is a loosely sketched fantasy Mediterranean in the wake of an imperial collapse, drawing many elements from Greco-Roman myth and history (down to a wildly popular messianic cult emerging in the background) and occasionally interrupted by incursions of alien and incomprehensible powers. The narrative points of view are universally either footsoldiers or camp followers - the kings and generals leading the Thousand-Crown War are portrayed as distant and inscrutable beings, even further removed from common humanity than the gods. This, along with other socially-aware elements uncommon (but not unheard of) for the time period have fueled a small but devoted modern following.
2. Durac the Swordsman, Hero of Zaag (1976)
At first glance, it is a pornographic pastiche of the John Carter series. Closer reading reveals a rather brutal personal reflection on loss, addiction, mortality, and the failures of the counter-culture movement. Both Durac and the Zaaganian princess Moroque are trapped in self-destructive spirals of their own making; while the warlord is defeated, the protagonists' futures do not look particularly bright or lengthy by the end of the book.
Critical analysis of the book tends to put a great focus on the life of author John Duke. Duke's wife had committed suicide in 1973 and this was the source of much of the nihilism in Durac and its three sequels. It also accelerated Duke's already-severe alcoholism, which would lead to his own death in 1981.
3. The Bloody Pearl (1926)
A rip-roaring pulp pirate adventure starring Siobhan O'Toole, Terror of the Crown, in her quest for treasure and revenge across the Caribbean. Written by schoolteacher Mary Hammet under a pseudonym, the book has frequently found itself challenged or banned due to its depictions of sexuality, violence, and unladylike behavior. It was most often challenged because of the interracial relationship between O'Toole and her longtime rival/friend Jean d'Capiteur. These challenges eventually escalated to a 1951 obscenity trial in which Hammet was forced to reveal her identity as the author. The trial did not go in her favor (she was declared in contempt of court for her combative responses to the prosecution and refusal to recant her statements) and as a result she was effectively blacklisted from publishing for the rest of her life. In her later years, she devoted herself as an ally of the civil rights movement (following in the footsteps of her abolitionist grandmother), participating in marches up through 1963 mere months before her death at the age of 85. As copyright was not renewed for The Bloody Pearl and the other Siobhan O'Toole novels, they were unaffected by the 1976 Extension Act and fell into public domain in the mid to late 50s, but have only recently had a resurgence in popularity thanks to efforts of Hammet's great-grandson.
4. And the Birds Cry Havoc (2007)
An early exemplar of the modern queer body horror and splatterpunk genres, And the Birds Cry Havok was published online in irregular serial installments beginning in June of 2007. Its grotesque, dreamlike, and chronologically asynchronous narrative details the incursions of "teratomatic space" into our world and the resulting influence of a decadent and brutal "meat-fascist" state.
While the story gained a small and devoted following, updates stopped without explanation in October of 2009, leaving the story unfinished midway through the fourth of five acts. Communication with the already-reclusive author gunkbird also ceased at this point, and episodes of dedicated sleuthing turned up nothing. The website ceased operating in 2012, and with only partial coverage on Internet Archive the story was thought lost until a reader stepped forward with a self-compiled pdf copy. The fan community, including several of the "sludgies" (earliest adopters) later produced a version with better formatting, commentary essays and art, which is available on multiple storefronts as a pay-what-you want purchase, with proceeds going to organizations serving at-risk queer youth.
5. "The Saga of Eric" (2014-2019)
A glimmer of creative genius shining even in the depths of capital's all-devouring machine, the "Saga of Eric" would have gone completely unnoticed by the world were it not for a stray Reddit post pointing out the apparent continuity between two commercials for BKO Insurance. Smelling a treasure hunt, a small community formed around these hidden links and visual gags, and swiftly pieced together that there was indeed a meaningful narrative beneath the bizarre non-sequitors and inane advertising tag lines. As theories gained footing and new commercials aired, the sleuths pieced together the outline of a greater narrative of Eric (the everyman spokescharacter)'s life. Over the course of the commercial series (told anachronistically), we see Eric struggle through the loss of his job, the collapse of his toxic codependent marriage, his brother's cancer diagnosis, a backpacking pilgrimage through Europe, the rescue of his son from online radicalization, and his relationship and eventual (much healthier) marriage to his second wife, all interlaced with alchemical imagery building towards the Magnum Opus.
BKO insurance was bought out in 2019 and the Eric commercial series was shuttered. No one has come forward to claim responsibility for writing them.
There would have been more, but I only had decent blurbs for five. Maybe more in the future.
ReplyDeleteBoo, I was fooled and wanted to read The Lion's Banner.
ReplyDeleteAlso, the American Tolkien is Lloyd Alexander. Duh.
Also also, the three sequels to the Zaag novels rather suggests that the protagonist's futures looking neither bright nor lengthy bowed to market forces.
Yeah the Zaag sequels were "we don't talk about them" kinds of books.
DeleteI love this type of post (although it does frustrate me that I won't be reading any of these).
ReplyDelete